My story

At sixteen, in 2015, I started designing. I designed for my friends, and for small companies too: logos and identities, posts and ads, cards and print.

On a photo of me at the computer I once wrote: “As long as there's a computer, there's no sleep.” On another, with the computer lit up behind me, I wrote “I'm bored” in Arabic, and under it in Turkish. Among my old designs is a logo I made for an app.

My office was “the workshop”. I moved in in 2015, fitted it out with my own hands, and stayed there for more than nine years. It is where I learned, tried things, and built up many skills.

In January 2020 I renovated it, filmed the work and posted it in my stories. On a photo of me among the dust and the broken tiles I wrote “Not finished yet”. Three days later, on a photo of the ladder and the paint tins: “Almost done”. On a photo of a new shelf I wrote “Something new”. In one corner there is a red wall with small pictures on it, and blue light above it.

In 2016 I started my own work, in a textile brand I co-founded in Istanbul. I was responsible for its production line and public relations until 2019, and its home was the workshop itself. The day its name, MOHAMAD ALMOUSA MUSA TEKSTİL, was added to the list of Istanbul companies, I took a picture of the list and wrote on it: “Şirket kuruldu. Çok şükür” (“The company is founded. Thank God”).

From 2018 to 2023 I worked on Makhatir, a gifts and accessories shop. It was a place for experiments: stuffed toys, on whose photo I wrote “Who likes things like these?”, a photo corner with its own lighting, and a sword I wrote on: “The Makhatir sword is ready”. Some of those experiments were never finished, because I moved on to other projects.

In 2020 I started working inside tech companies. At the JOAAN app I was responsible for visual content production. At the Influencerss platform, in 2021, I worked in marketing, influencer management and product management. In 2022, at the games app Iskambil, I was responsible for the user interface and experience, visual production, game tutorials and content marketing.

The camera came into my work in 2019: production first, then creative direction. In those years I learned how content catches people's attention before anyone pays to advertise it.

In 2021 I founded MAMOGY, a shop for keychains and for stuffed toys made for their owner. In 2022 I founded MT Studios with a partner, a visual production studio, and I was its creative director.

I fitted out both offices, MAMOGY's and MT STUDIO's. I filmed each stage, and on a photo of an empty room I asked my followers: “Guess what's going on right now?!”

Then I left the MT Studios partnership. In a later story I put its logo next to my photo and wrote: “Who remembers?”

In 2023 I started AktBot, a creative studio for making content. It then became a studio for marketing through influencers and content creators.

In 2023 I moved to clinics: marketing, business development and operations for dental clinics. I was Growth Manager at Blue Medical Plus from 2023 and at BM Turkiye from 2024, and stayed with both until 2026. At both I built the in-house content teams. And in the clinics I saw up close, from the business side, how decisions are made.

That is where I started building a system I needed and couldn't find. Its name is MAHAM.

Today MAHAM is a platform for managing teams, tasks and permissions, with a full client management system and apps for different sectors. I built it for companies that have outgrown spreadsheets and scattered tools. At the office I once wrote on a photo of me in a suit jacket and shorts: “When I join an online meeting from the office”.

Today I work from Istanbul on AI solutions, content and marketing. I build marketing and client management systems for companies, and I run MAHAM.

MAMOGY is still with me, and I founded GLOST LAB, a streetwear brand from Istanbul.

I work in Arabic, English and Turkish. And when you message me on WhatsApp, I'm the one who replies.